The Captains Return, Bronze, 16 x 27 x 15 inches Bronze maquette depicting Meriwether Lewis, William Clark, and their dog Seaman returning to St. Louis after their journey to the Pacific Ocean.
Closing In Full Cry, Bronze Artist's Proof, 7 x 12.5 x 8.5 This scene of foxhounds closing on a fox was created in 1989. It won Honorable Mention at the art contest at the Westminster Dog Show.
Stumped, Bronze, 10 x 15 x 11 inches This sculpture of two Jack Russell Terriers won the national art competition at the Westminster Dog Show in 1990.
Res, Bronze, 17 x 16 x 8 inches This sculpture of Tony LaRussa's dog, Res, was commissioned by the Ralston Purina Company to honor LaRussa's work with homeless pets. It was one of two cast in 2005, the other belongs to Mr. LaRussa.
Stirring the Water, Bronze, 7 x 6 x 6 inches One of three sculptures commissioned for the 2003 Winter Olympics symbolizing "stronger" of the "higher, faster, stronger" Olympic motto.
Bernie Federko, Bronze, 17.5 x 15 x 9 inches This maquette served as the model for the larger-than-life sized statue of the St. Louis Blues player installed in 2023 outside of the Scottrade Center.
Cardinals Fans, Drawing, 10 x 8 inches
A Really Good Time at the Horse Show, Drawing, 14 x 9 inches
Portrait, Drawing, 13 x 10
McCaughen & Burr Fine Arts is pleased to present a retrospective of works for sale by renowned St. Louis artist Harry Weber. An opening reception will be held on October 10th, 2025, from 5 to 8 p.m. with an artist's talk at 6 p.m.
The exhibition will feature 48 bronze pieces representing Weber's career, including depictions of historical figures, athletes, equestrian sporting scenes, and more. The complete set of ten artist's proof bronze maquettes made for the St. Louis Cardinals Hall of Fame will also be on display. In addition to bronze works, the exhibition will feature drawings, spanning from Weber's time in Vietnam to the present.
Harry Weber retrospective featured in The Webster-Kirkwood Times
October 2025
Coverage of the exhibition reflects on Weber’s decades-long practice and his role in shaping the visual identity of St. Louis through public and private commissions.